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Moving Walls: North Korea—The Narcissism of Power

  • People standing in front large statue of Kim Il Sung
    Two couples, just married, at Kim Il Sung statue, Mansudae Hill. © Philippe Chancel
  • War memorial
    Installation commemorating U.S. defeat in Korean War, Fatherland Liberation War Museum. © Philippe Chancel
  • Marchers in front of large image of pistol
    Kim Il Sung's pistol formed by thousands of flip cards, Arirang festival. © Philippe Chancel
  • Room with damaged airplane propellers on display
    Remnants of U.S. Korean War fighter plane, Fatherland Liberation War Museum. © Philippe Chancel
  • Close up of female soldier
    Young soldier. © Philippe Chancel
  • Kim Il Sung's pistol
    Kim Il Sung's pistol, Mangyongdae Revolutionary Museum. © Philippe Chancel
  • People running in plaza
    People rushing to a ceremony. © Philippe Chancel
  • Flight attendant standing behind a counter
    Flight attendant, Pyongyang airport. © Philippe Chancel
  • Cars driving in military parade
    Military parade, 60th anniversary of the ruling Workers’ Party of Korea. © Philippe Chancel
  • Close up of Kim Il Sung pin on woman’s clothes
    Kim Il Sung pin. © Philippe Chancel
  • Man with video camera in large room with television
    Waiting room, Pyongyang airport. © Philippe Chancel
  • People walking along the street
    Street scene. © Philippe Chancel
  • Cars driving down wide street
    Reunification Avenue. © Philippe Chancel
  • People walking in plaza by statue of Kim Il Sung
    Visitors to Kim Il Sung statue, Mansudae Hill. © Philippe Chancel
  • Sparsely filled shelves in a bakery
    Bakery. © Philippe Chancel

The recent sinking of a South Korean warship has escalated tensions between North and South Korea to a level not seen since 1994, when North Korea threatened to turn the South’s capital, Seoul, into a “sea of fire.” For all the concern, however, very little is actually known about North Korea; its intentions, capabilities, or even how the country functions is largely a mystery because of its almost complete isolation. In 2005 and 2006, photographer Philippe Chancel was able to document a country that is cut off from the rest of the world.  These photos were a part of the Open Society Institute Moving Walls 15 exhibition.

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